• Trust for Mutual Understanding
    Slide
    Photo care of The Tributary Fund
  • Trust for Mutual Understanding
    In isolation, it is impossible for an artist to see the real position and value of his or her art.
    Fritzie Brown, Executive Director, CEC ArtsLink
  • Trust for Mutual Understanding
    Slide
    Eli Keszler
  • Trust for Mutual Understanding
    Although, in theory, travel and communication should be easier than when TMU was founded in 1984, the economic and political hurdles for true collaboration are still extremely great.
    Steve Dubiel, Executive Director, Earthcorps
  • Trust for Mutual Understanding
    Slide
    Photo care of Link Vostok
  • Trust for Mutual Understanding
    Together, we create something new.
    Robert Wilson, Artistic Director, Watermill Center
  • Trust for Mutual Understanding
    Slide
    Photo by Pavel Antonov
  • Trust for Mutual Understanding
    It is always important for artists and scholars to challenge themselves and their own assumptions about the world and the work they do in it.
    Kara Walker, Artist, Mid Atlantic Arts Foundation/CCA Ujazdowski Castle American Seasons
  • Trust for Mutual Understanding
    Slide
    Photo by Nick Hall
  • Trust for Mutual Understanding
    We see that we are not alone in our work—we see that people living in different parts of the world are working to solve the same kinds of issues we are. We have shared problems, but the approaches to solving them can be very different.
    Sergei Berezniuk, Pacific Environment Agricultural Fires exchange participant
  • Trust for Mutual Understanding
    Slide
    Photo by Joel Berger

TRUST FOR MUTUAL UNDERSTANDING

MISSION

The Trust for Mutual Understanding awards grants to American nonprofit organizations to support the international travel component of cultural and environmental exchanges conducted in partnership with institutions and individuals in Russia and Central and Eastern Europe. Priority consideration is given to projects that involve direct, in-depth professional interaction, with the potential for sustained collaboration; that show evidence of professional accomplishment and innovation; and/or that respond to social contexts and engage local communities.

HISTORY

The Trust for Mutual Understanding was established in 1984 by an anonymous American philanthropist as a private, grantmaking organization dedicated to promoting improved communication, closer cooperation, and greater respect between the people of the United States, the Soviet Union, and other countries in Eastern and Central Europe. TMU’s program reflects her conviction that grantmaking can make a contribution to that process by supporting international face-to-face contact and professional interaction. TMU’s mission has been shaped by the belief that creative international collaboration encourages global harmony.

TMU continues to support East-West exchanges in the arts and environment, reflecting the founder’s appreciation of the importance of culture and ecology in people’s lives. Before 1985, there was relatively little American funding for such activities, and what support there was—mainly governmental—was often restricted by political considerations. It remains TMU’s goal to enable talented people to come together from different countries to freely share ideas and stimulate creativity in a nonpolitical context.

GRANTEES

2015 Cultural Grants

$1,076,400

Total Grants
in 2015

$700,400

Cultural Grants
in 2015

30

Cultural Grants
in 2015

2015 Cultural Grants

ArtsEmerson

ArtsEmerson

Boston, MA

$20,000

to bring conductor Bassem Akiki, actress Barbara Wysocka, theater director Michal Zadara, and three sound artists from Warsaw, Poland to Boston for performances of Chopin Without Piano and to support a weeklong residency for Bassem Akiki at ArtsEmerson in November 2015.

Carnegie Hall

Carnegie Hall

New York, NY

$20,000

to support the participation of Russian clarinetist Stanislav Chernyshev Ensemble ACJW in 2015–2016.

CEC ArtsLink

CEC ArtsLink

New York, NY

$45,000

to support a bilateral training program for Russian and American museum professionals funded by the Vladimir Potanin and U.S.-Russia foundations and the Trust for Mutual Understanding in partnership with CEC ArtsLink and PRO ARTE Foundation in 2015.

CEC ArtsLink

CEC ArtsLink

New York, NY

$8,500

to bring Andras Torok, director of Summa Artium in Budapest, to the United States to give lectures on Hungarian culture and secure project partners in Cedar Rapids, Iowa; New York, New York; and Sarasota, Florida in March 2015.

CEC ArtsLink

CEC ArtsLink

New York, NY

$9,400

to bring Elena Kolovskaya to New York, Philadelphia, and Washington, D.C. in May 2015 to establish contacts with American museums and to identify participants for PRO ARTE Foundation's 2016 St. Petersburg Biennale of Museum Design.

CEC ArtsLink

CEC ArtsLink

New York, NY

$25,000

to send seven American artists to Art Prospect Festival: Games in St. Petersburg, Russia for a series of installations and performances, artistic collaborations, workshops, and public forums in September 2015.

Center for International Theatre Development

Center for International Theatre Development

Baltimore, MD

$110,000

to support American participation in DunaPart3—Showcase of Hungarian Contemporary Performing Arts, organized by the Hungarian Theatre Critics Association, Independent Performing Arts Association, and Trafo House of Contemporary Art in March 2015.

Chez Bushwick

Chez Bushwick

Brooklyn, NY

$15,000

to support performances of Jonah Bokaer's Other Myths at the Atlanta Contemporary Art Center and Lightbox in New York City in spring 2015.

Creative Time

Creative Time

New York, NY

$1,800

to suport the participation of Creative Time Reports editor-in-chief Marisa Mazria Katz in the OFF-Biennale in Budpaest, Hungary in May 2015.

Creative Time

Creative Time

New York, NY

$25,000

to enable seven presenters from Central and Eastern Europe and Russia to participate in the 2015 Creative Time Summit, to support the production of Creative Time Reports (CTR) content from Russia and Central and Eastern European artists, and to enable one Creative Time staff member to travel to the region to expand the network of CTR artist contributors.

Flux Factory

Flux Factory

Long Island City, NY

$14,000

to bring Anna Bitika and Maria Veits, co-founders of Creative Association of Curators TOK, for a three-month residency at Flux Factory in October 2015.

Foundation for Civil Society

Foundation for Civil Society

New York, NY

$96,100

to bring award recipients from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, the Czech Republic, Kosovo, Macedonia, Serbia, Slovakia, and Slovenia to the United States in 2015 and 2016 as part of the Young Visual Artists Awards program.

Headlands Center for the Arts

Headlands Center for the Arts

Sausalito, CA

$25,000

to support two-month residencies for Russian artists Alexey Buldakov and Vladimir Rannev at Headlands Center for the Arts in summer 2015.

Jacob Burns Film Center

Jacob Burns Film Center

Pleasantville, NY

$30,000

to support the participation of Romanian filmmakers, critics, artists, and journalists in the 10th anniversary of Making Waves, a festival of new Romanian cinema, in November and December 2015.

Lark Play Development Center

Lark Play Development Center

New York, NY

$20,000

to support the participation of playwrights, theater professionals, and Lark staff in bilateral exchanges between Hungary, Romania, Russia, and the United States in summer and fall 2015.

Lincoln Center for the Performing Arts

Lincoln Center for the Performing Arts

New York, NY

$20,000

to support performances of the Theatre of Nations’ production of August Strindberg’s Miss Julie as part of Lincoln Center Festival in July and August 2015.

Lincoln Center Theater

Lincoln Center Theater

New York, NY

$5,000

to support Russian participation in the Lincoln Center Theater Directors Lab in July 2015.

Maryland Institute College of Art

Maryland Institute College of Art

Baltimore, MD

$20,000

to support a bilateral exchange between MICA’s Center for Social Design and the Moholy-Nagy University of Art and Design in Budapest, Hungary in summer and fall 2015.

Metropolitan Museum of Art

Metropolitan Museum of Art

New York, NY

$40,000

to support a bilateral curatorial exchange program between the Pushkin Museum of Fine Arts in Moscow, the State Russian Museum in St. Petersburg, and the Met to enable curatorial research for exhibitions, provide access to collections at each institution, and enable administrators to share best practices in 2016.

Movement Research

Movement Research

New York, NY

$25,000

to support a three-day plenary involving 16 contemporary dance professionals from the United States and Central, East, and Southeast Europe in Belgrade, Serbia in May 2015.

Movement Research

Movement Research

New York, NY

$2,000

to bring Nevenka Koprivsek of Bunker in Ljubljana to New York for 10 days to participate in a planning conference with Central, East, and Southeast European partners; attend performance festivals; and conduct networking meetings in January 2015.

Movement Research

Movement Research

New York, NY

$25,000

to support the continued development of a Central/East/Southeast European and U.S. partner network in 2015.

Museum of Modern Art

Museum of Modern Art

New York, NY

$4,600

to bring Zelfira Tregulova, the newly appointed director of the State Tretyakov Gallery in Moscow, Russia, to Minneapolis and New York in April 2015 to meet with museum colleagues and plan collaborative projects.

Performance Space 122

Performance Space 122

New York, NY

$25,000

to support PS122 Global 2015, a tour of three shows: Andrew Schneider’s YOUARENOWHERE, Annie Dorsen’s Yesterday Tomorrow, and Fay Driscoll’s Thank You for Coming: Attendance to the Croatian National Theatre in Zagreb in fall 2015.

Philadelphia Dance Projects

Philadelphia Dance Projects

Philadelphia, PA

$10,000

to support the continuation of Dance/USA Philadelphia's exchange program with the Workshop Foundation in Budapest by enabling two Philadelphia-based dance professionals to participate in a three-week residency in Budapest in fall 2015.

The Drama League

The Drama League

New York, NY

$15,000

to support TDL’s 2015–2016 bilateral U.S./Bulgaria Stage Directors Exchange in partnership with Art Office of Bulgaria.

Trap Door Theatre

Trap Door Theatre

Chicago, IL

$4,000

to bring Zoltan Balazs from Budapest, Hungary to Chicago to direct Trap Door Theatre's production of Decomposed Theatre by Matei Visniec in August 2015.

WaxFactory

WaxFactory

New York, NY

$15,000

to bring video designer/engineer Antonio Giacomin, Minimart, and Random Logic from Slovenia to New York for the final phase of development and live performances of 416 MINUTES at the Old American Can Factory in September 2015.

Woolly Mammoth Theatre Company

Woolly Mammoth Theatre Company

Washington, DC

$15,000

to support the continuation of Woolly Mammoth's partnership with Russian theater director Yury Urnov in 2015.

Yale School of Drama

Yale School of Drama

New Haven, CT

$10,000

to send American theater critic and editor Tom Sellar to Poland and Slovenia to attend performances and interview playwrights, critics, directors, designers, and scholars; and to support their travel to Yale University to participate in symposia and master classes in 2015 and 2016.

TMU ONLINE APPLICATION

For detailed information on our application process and frequently asked questions, please visit our Applicants page.

TMU reviews applications two times a year. To make the experience more user friendly, the application process is broken down into two parts:

  1. Initial Inquiry stage
  2. Full Application.

The deadlines are as follows:

  • Initial inquiry: May 1
  • Full Application: August 1
  • Notification: mid-November

This round is for projects happening January 1 or later.

  • Initial Inquiry: November 1
  • Full Application: February 1
  • Notification: mid-May

This round is for projects happening July 1 or later.


Please note that Initial Inquiries and Full Applications are due at 5:00pm, EST. Should the due dates of either the Inquiry or Full Application fall on a Saturday or Sunday, they are due on Monday, the next business day. Supporting materials for the Full Application should be received no more than two weeks following the respective deadline. When submitting a letter of recommendation, please clearly indicate the organization that is applying. We do not guarantee a notification of receipt of any supporting materials or letters. Grant tracking and/or application ID numbers are for grantee reference only and cannot be used for our purposes.

Please contact us if any questions arise during this process.

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CONTACT US

Contact Information
Email:

tmu (at) tmuny.org

Mailing:

Trust for Mutual Understanding
1 Rockefeller Plaza
Room 2500
New York, New York 10020

Telephone:

212 649 5776

Fax:

212 649 5777

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